Brejning Church

The idea of a church in Brejning first emerged in February 1936, when an operetta was performed in the institution’s theatre hall on a Friday evening – only for the same hall to be used for a funeral the following day, as heavy snowfall made it impossible to reach Gauerslund Church. This became the turning point.

The Kellerske Institution functioned as a small community with its own cemetery, where more than 1,600 residents and staff have been buried since 1900. Although there had long been a religious affiliation with the parish of Gauerslund, a proper church was still lacking.

The church’s founder, physician Christian Keller, was himself the son of theologian and social pioneer Johan Keller. The idea of a church was therefore not far removed from the family’s values. In October 1936, a committee was formed, with parish priest Adolf Friis as chairman. However, the project faced resistance – both due to disagreements within the parish and debates over Brejning’s status as an independent municipality.

In 1941, architect Mogens Koch designed a church that divided opinion – both aesthetically and financially. Despite bazaars and fundraising efforts, the project repeatedly stalled. It was not until the appointment of parish priest Poul Nielsen in 1956 that the initiative regained momentum. His vision was a church for both the local community and the institution’s residents – “a church with two congregations.”

With support from politicians, the parish council, and dedicated citizens, the project was finally included in the national budget in 1964. In August 1967, Brejning Church was consecrated.

Since then, the church has hosted confirmations, weddings, funerals, Christmas services, and concerts – not only for residents, but also for newcomers and artists who appreciate the intimate and bright church space. Several exhibitions have also been held here.

Today, Brejning Church stands as a symbol of the Christian view of humanity that permeated the Kellerske Institution: that every individual has value, and that community, spirit, and faith can help uplift even the most vulnerable.

The church’s simple architecture and warm atmosphere make it a place for both reflection and fellowship. A hymn sung here – alone or together – still touches something deep within us.

Sources: Haderslev Diocese Yearbook 1967 (special print) and conversations with individuals closely involved in the church project.